There have been several phenomenally successful movies over the past several years that have been produced and directed by Black people that speak directly to Black people. The latest outing is from the legendary OG of the genre, and it hits close to our heart! Kam Williams reviews.


Excellent (4 stars)
Rated R for pervasive profanity, racial epithets, disturbing violence, sexual references and mature themes
Running time: 135 minutes
Production Studio: 40 Acres and a Mule Filmworks / Monkeypaw Productions / Blumhouse Productions / QC Entertainment / Legendary Entertainment / Perfect World Pictures
Distributor: Focus Features
Film Review by Kam Williams

Back in the Seventies, Ron Stallworth became the first African-American to join the Colorado Springs Police Department. The ambitious, young, college grad was soon promoted to detective, and his initial undercover case involved covering a Stokely Carmichael (Corey Hawkins) rally when the incendiary Black Power advocate was invited to speak at Colorado College.

But his most unlikely mission involved infiltrating the local chapter of the Ku Klux Klan. Here’s how that came to pass. Using his real name, he impulsively answered a classified ad recruiting new members, not knowing what to expect.

When the organization subsequently contacted him by phone, Ron adopted a white accent and complained bitterly about his sister’s dating a black man. That was all that it took for him to get invited to the next Klan meeting and to secure a membership card signed by Grand Wizard David Duke (Topher Grace).

Instead of blowing his cover by showing up himself, Ron asked a Jewish colleague, Flip Zimmerman (Adam Driver), to attend and impersonate him. Despite several close calls, the two managed to closely monitor the Klan’s movements over the next nine months.

That alternately comical and life-threatening assignment is the focus of BlacKkKlansman, a thought-provoking dramedy adapted by Spike Lee from Stallworth’s memoir of the same name. The movie made quite a splash at the Cannes Film Festival earlier this year, where it won the Jury’s Grand Prize.

What makes the picture work is the way in which it mocks the small-minded Klan members’ racist attitudes and behaviors. However, it simultaneously serves as a timely cautionary tale by juxtaposing that shameful chapter of American history with a closing credits newsreel of the neo-Nazi march in Charlottesville last summer which culminated with the murder of Heather Heyer when a white supremacist plowed his car into a parade of peaceful counter-demonstrators.

A sobering Spike Lee Joint suggesting that the Klan might very well rise again, especially given equivocating President Trump’s frustrating refusal to take sides. Easily, Spike’s best offering in ages!