In theaters now is the latest from Regina Hall (Scary Movie) about a seedy Hooters-type bar she works to keep in line. Kam Williams reviews.

Very Good (3 stars)
Rated R for profanity, sexual references and brief nudity
Running time: 90 minutes
Production Studios: Burn Later Productions / Houston King Productions
Distributor: Magnolia Pictures
Film Review by Kam Williams

Double Whammies is an unremarkable watering hole located along a desolate strip of highway outside Austin, Texas where truckers and regulars can slip in and out quietly without drawing much attention to themselves. The seedy sports bar, a la your typical Hooters, is known for its booze and finger food served by scantily-clad waitresses in cut-off jeans and low-cut tops.

The place is run with an iron fist by Lisa Conroy (Regina Hall), a very-protective den mother who takes seriously her mission to shield her employees from perverts inclined to cross a line to fraternize improperly. Though she shows her tough side to the clientele, the tenderhearted manager handles her staff with big kids’ gloves.

Lisa’s motley crew ranges from naive newcomers to hardened pros, and she’s blessed with a knack for knowing precisely what sort of support each needs. Unfortunately, she’s not appreciated by Double Whammies’ owner, Cubby (James Le Gros), probably because the club always seems to have a host of unresolved woes.

For example, at the moment, there’s a burglary in progress thanks to a hapless perp who got himself stuck in a ceiling vent. Lisa knows the show must go on, so instead of summoning the police, she has her own way of dealing with such a distraction which keeps the wheels turning but frustrates her skeptical boss. That’s just the way it goes at this quirky haunt.

Written and directed by Andrew Bujalski (Beeswax), the film features many of the hallmarks of the low-budget genre on which the Mumblecore maven built his career. The picture effectively paints a poignant portrait of a day in the life of a humble, dedicated, working-class heroine just trying to make a buck.

Remember how the indie-flick Paterson (2016) managed to elevate a lowly New Jersey poet/bus driver? Well, this tale of female empowerment pulls off a similar feat. Raw-edged cinema verite’ cut to the bone, if that’s your taste.